24 February 2011

Travail, tourism, 'Cox and Flings'

A couple of days ago, I was looking up visa requirements for different countries just to get a sense of how badly Asians fare on the spontaneous wanderlust ability index. Because, you know, nothing cheers a brown kid up more than seeing how suspicious everyone else is of her. I'm serious...sorry white folk, you shall never know how badass being feared by half the world's embassies can make you feel. At any rate, in my perusals of numerous fora across the internet, I realised that there were a lot of people asking questions about visa policies in various countries and saw a pattern. There are two kinds of tourists in the world - those who holiday in Paris and those who vacation in Prague. I realise how this sort of sweeping categorisation can be offensive to the variety of travellers all over the globe. I do realise it.

Pause for effect

Let me be clearer. I am excluding from this binary those people who are hardcore globetrotters, ready to pitch their tent anywhere just for the thrill of it. That's a species that can at least be admired for its unrelenting commitment to transience and celebrated for its love of movement. As long as they aren't lying to the customs officials, of course.

I also exclude the arty bohemian set that will find in Paris, Prague, Pyongyang or Patna the best of culture and tradition that there is to admire, almost in the spirit of amateur cultural anthropologists with extra suntan lotion. There is an earnest willingness to engage with the finest aspects of a foreign culture and enjoy what it has to offer. The world truly deserves tourists of this sort, happy to immerse themselves in the way of the exotic, appreciate its acme, acknowledge misgivings about some aspects of the culture, enjoy the experience while it lasts and then move on. Once in a while, they'll even decide to settle down and adopt the vacation spot as their permanent abode.

The perennial peregrine, in the one case, and the tourmet (as in gourmet) in the other, both treat the act of travel not as something incidental, but as an integer in their sense of being. Like IQ, this Travel Quotient can be plotted as a Bell Curve, the normal distribution in a given population. It is the mass of regular Joes and Janes in the middle of the curve that I speak of when positing the Paris/Prague rule. The ones who take pictures of themselves at the Eiffel Tower, in exactly the same pose for five consecutive snaps, and plaster them all over Facebook; the ones who squeal like piglets about shopping for clothes in Paris; the ones who think that "Swizzerland" is "like, so cool, man." These are the people who provoke xenophobia and piss off several ethnic groups on six continents with their slaughter of language and offence to local ways, not to mention baffling inability to either learn to abstain from or adapt their metabolism to the available variety of alcohol. If you can't handle an extra slice of bread at home, you sure as hell aren't downing that vat of vodka, dumbass.

The behaviour of these tourists can be analogised very aptly to explain dating mores among college-going youth. I call this the 'Cox and Flings' theory of dating that will summarise the attitude of 'tail tourism' that college campuses and adultescence is rife with. Now, being a woman, I can only speak from the female point of view but please free to distort my thesis to accommodate your current post-dump spell of misogyny and repeat viewings of 500 Days of Summer.

The 'Cox and Flings' theory of dating is very simple: just like your average moneyed mister off to "see world", the untended male tail tourist will want to sample everything there is on the relationship market. I use the term 'relationship' loosely of course. It covers the range of liaisons from one-nighters to knight-oners. He will do this out of a sense of entitlement and privilege that only be possessed by a boy brought up in the kind of society that we have. He will want to go sightseeing in Paris - binoculars firmly aimed at skinny French legs - and see subtitled films - because you can hardly make out intelligible speech - and *AHEM* shop for clothes, because  frankly, that's what you went there for. Everyone wants to go to Paris. It's almost the first phoren city you learn of, growing up. It's glamorous and giddy and mon dieu! the clothes.  Everyone wants to wear 'em and good golly, if you land those threads to show off to the other lads, won't that be something. I hope my attempts at keeping this post respectable by using the clever metaphor of "buying clothes" have not been lost. Because I could just switch right over to speaking of intercourse and such. Paris is the hot girl that must be nailed, that is easily available and that it ups your cred to be...er...in. Paris is ultimately the dream.

And then there's Prague. Let's be honest, there's a certain sort of man who would go to Prague for the love of it. For the tail tourist troupe, Prague is the city you go to because you have to exhibit your sense of culture to everyone else back home. Do you know who Kafka is? Of course not. But you'll hang around, take pictures as proof, break your teeth (or have them broken for you) on Czech, pretend to have secret communist tendencies in pubs (comma who now?) and well, not get much opportunity to dress up, if yaknowhadimean. Of course, having gone to Prague will score you bragging rights and the ability to impress a few French fillies. Maybe even some other Eastern European girls. Whatever. At the end of the day, however, Czech is a fucking tough language to learn and the weather isn't as great as Paris - it also doesn't allow for as many legs on display - and the films are much harder to understand even with the subtitles, by virtue of being pitched a little high, and the Marxism just gets to you after a while. And maybe Prague is even more hostile than Paris because it's so complicated. Just sayin'...So the nerdy girl doesn't get the boy, she sulks in a corner waiting for an industry apart from tourism to open up her economy. And the boy gets a smart girl on his air miles.

So, that's it ladies and gentlemen. You're free to disagree of course. But I'd certainly like a male point of view to this.


20 February 2011

11 Things I Know About Rom-Coms

This is an ancient post that I have recovered from the-now defunct My First Blog that shall remain unnamed and unread. This was first posted in March 2006, so excuse the 5 year old lingo and precious adolescence that this may reek of :); it is in response to my co-ozzum blogger, Shalmali's interesting investigations into the Romantic Comedy.

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I have a bone to pick with Rom-Coms (the nomenclature of all things commercial seems to be totally congruent to the kind of people it's meant for). What's with the romantic plus comedy thingamajig? I mean, either it's a romance or it's a comedy. Choose one. A romance can be inclusive of light, humourous moments with one-liners and wit. A comedy can have a romance running all through it. I know for a fact that Meg Ryan would probably have been out of a job eons ago if the existence of the 'rom-com' had been proved redundant and god forbid we ever have to sit through another actors-who-would-never-be-seen-dead-together-trying-to-believably-make-it-in-what-can-only-be-described-as-mind-numbing-drek-the-studio-hopes-to-rake-in-cash-with-at-the-expense-of-your-intelligence-dear-viewer trailer (longest hyphen rant EVER). Oh the cliches...oh the non-plots...oh the agony of forced (supposedly funny) dialogue...oh the obviously absent sexual tension (John 'Malkovich' Malkovich and Andie 'Check out my L'Oreal hair' MacDowell? )...it's too much for a poor Saturday evening cinema-goer to take in. So dear reader, behold my wisdom when I say to you.


Standard plot and character stereotypes include:

1. Too Stupid To Live (TSTL) types (mostly heroines) who go about in their self-consciously cute and allegedly endearing but actually annoying, ditzy way doing things that the average human female will plead insanity for, if ever caught doing.


2. Still in the TSTL zone, these are 'smart', 'career-oriented' women (hint: notice the inverted commas) and are all consumed by their work until The One comes along when suddenly all work ceases to exist, they go traipsing around with Lover Boy and surprisingly never get fired.


3. No matter how obviously pretty and attractive (Jennifer Lopez, sexy...NO! Reeeeally!?!), they'll never have been in proper or worthwhile relationships before (with guys who are right-off-the-bat jerks), have most likely never realised how beautiful they are until voila the hero comes along and she smacks her head ("Well, I never") all of a sudden, and miraculously sees her true worth (whatever that is).


4. The heroes are either horribly rich playboys (see Grant, Hugh) or just horrible (seemingly until the heroine cracks the tough exterior and uncovers Fabio within) .


5. The heroine will conveniently remain oblivious of the same chemistry and attraction that the viewer is supposed to be privy from their first scene together.


6. There will be a cynical, smart-talking, maternal best friend of the heroine, similarly unlucky in love but never quite as desirable so as to make only the heroine worthy of romantic attention in the eyes of the hero. Oh, and a sexually repressed, shallow, ex-jock sort of best friend of the hero. These two might also get together with each other in certain cases, as a secondary plot. As in right next to the PRIMARY (the main or just not there) one, that is.

7. The heroine will have way too many responsibilities like a younger sibling(s)/nephew(s) and neice(s) or older relatives to look after whom the hero, even though the heroine detests him (or does she, giggle, wink), manages to charm and floor and who are sure there's something afoot between Niceguy McHunk and Ihate Menreally (get it, get it, ha ha).


8. The kiss only takes place at the end.


9. Alternative to Rule # 8, they shag around in the beginning of the third act and there's a Huge Misunderstanding that requires the remaining half an hour to sort itself out.


10. Rich Bitches/Jealous Ex-boyfriends or girlfriends/Evil Bosses/Gay best friends as ONLY male pals of the heroine/Ethnic Minority All of the Above - at least one of these is sure to crop up in the course of the movie.


11. Apropos Huge Misunderstanding, it ultimately takes only (I've timed so I know, yes, I have nothing better to do, no I'm not a closet Rom-Com writer) 5 minutes to solve, but the rigmarole surrounding the two leads meeting up to solve it takes forever, ends with an "I love you too (baby)" and lasts 15 minutes. Yes, I did say 5, so the remaining 10 minutes are divided between snogging/shagging and a glimpse of their Happily Ever After with other cardboard fixtures...er...I mean characters in the movie set to a popular pop-rock love song.

V-Day Secret


The big V-Day came and went and not a word about it was said on your favourite blog. But this post is going to be brief, because I have hit upon what Valentine’s Day is really about. The morning of 14th February, 2011, I opened the newspaper to check the TV listings (yes I still insist on opening the paper excitedly every morning to check if a good movie will be on, in spite of having Tata Sky and living in the 21st century) and realized that V-day is little more than a whole day dedicated to one of the worst genres in modern cinema- The Romantic Comedy. Yes, that’s right, your secret’s out V. Read carefully the following piece of evidence:

Zee Studio and Star Movies respectively:

1015

Shall We Dance?

1300

Failure to Launch

1500

10 things I hate about you

1700

Crazy/ Beautiful

1900

Hope Springs

2100

Sweet Home Alabama

1015

A Lot Like Love

1230

Nine Months

1440

6 Days 7 Nights

1650

The Accidental Husband

1850

Made of Honour

2100

Twilight

2325

Twilight Saga: New Moon






I rest my case.

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